Here seen in combination with videototems and projections of the Virtual Freaxow veejayshow at the beginning of an evening in Felix Meritis.

Mural on the ceiling of SOL DJ Café in Amsterdam. part was painted on the ceiling and part were cut out pieces of wood attached to the ceiling.

Design for the dance floor of the Slavery Monument Now performance by Theatre Embassy.

Installation for the Museum night in Dortmund in cooperation with Jesse Limmen, with whom I formed a veejay duo for a few years.

Interactive station to communicate with the Jamby interface, also designed by Dadara in which people could upload videos and start their own TV channel. This station was meant to be the real life component of that virtual world called Faeryland.

70 meters of digitally printed wall mural designed for the LIACS institute in the University of Leiden.

Magazine display for in-store use. A project developed by the publishers of Strictly Magazine.

During ten different dance events organized by ID&T visitors could work together with me to create big painted panels. I was the only one with black paint and would assist the other people painting. Every event would lead to a painting of 3 or 4 panels. At the end of the year all panels were auctioned and the proceeds went to Greenpeace.

70 meters of digitally printed wall mural designed for the LIACS institute in the University of Leiden.

Three V66 phones customized for Motorola

70 meters of digitally printed wall mural designed for the LIACS institute in the University of Leiden.

Dadababy loudspeakers designed for English loudspeaker company B&W. Picture shows a promotional leaflet with DJ Isis holding one of the babies. 100 pairs were made, as well as 10 pairs handpainted by Dadara.

Mural 5 x 10 meters painted at the Temple club in Nimes, for which I also designed several flyers and their logo.

Supermart was a project from 1992 in which I worked together with 5 other artists - George Heidweiller, Doran McGee, Onno Klein, Thomas Noordhoek, and Ottograph _ to create a supermarket for art. The interior of the exhibition had shopping carts and a lot of merchandise could be bought. The paintings for sale were packaged as products.